What's Happening Events
Jun 2025
(Sat)
The book Open Birdcages as the preface to the story of revitalization and innovation in Hong Kong’s ICH craft of birdcage making
- Event of
- Open SPACE 2025
- Subject
- Culture & Philosophy
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- Date & time
- 07Jun 2025 (Sat)14:00 - 15:00
- Type of Event
- In-person Attendance
- Venue
- Room 609, 6/F, United Centre, 95 Queensway, HK
- Fee
- Free
Mr Dylan Kwok
In the past decades, Dylan has explored the culturally diversity of urban settings in East Asia, North America and the Scandinavia, and has developed a strong interested in humanistic design in urbanism. His talent was first served in designing W-hotel Atlanta, and Holt Renfrew Toronto under Burdifilek Design Studio in Canada, before his adventure in Finland, where he conducted several design researches for NOKIA and the City Planning Office of Helsinki. Now based in Hong Kong, Dylan continues to explore the phenomena in the post-industrial cities, under the influence of the peripheral high-speed urban development. Thus, search for the creative niche in the art and design sector. Dylan was the design lead at Jockey Club Design Institute for Social Innovation during its founding period. Since 2013, Dylan supervises final years students on their graduation projects in Macau Polytechnic Institute and teaches three dimensional thinking and design in University of St. Joseph. Dylan received his interior design education from Ryerson University (Canada) and granted his master degree in Spatial Design from University of Art and Design Helsinki (Finland) with an award-winning thesis. He was selected for the 40 under 40 Perspective 2011 as one of the upcoming Design Stars of Tomorrow followed by the Hong Kong Young Design Talent title in 2009. Recent projects include: Slow Living Experiment@Oi! (2016), 10dayfest (2013, 2015), Detour MATTERS(2013), Helsinki South Harbour International Concept Competition (2011) , Kai Tak River Art Festival (2010)
- Enquiry
- 2910 7604 (olive.cheung@hkuspace.hku.hk)
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The craft of Hong Kong bamboo birdcage making, as an intangible cultural heritage and a vessel of urban memory, embodies the vitality of everyday life and the ingenuity of craftsmanship. “Opening Birdcages”, centered on the core imagery of "a birdcage in hand," traces the evolution of this craft from a mundane pastime to an art form while confronting its existential crisis in contemporary society.
"A birdcage in hand" represents a dialogue between artisans and nature, preserving the endangered bamboo weaving techniques. Veteran craftsmen invest decades into perfecting a single cage, yet struggle against shrinking demand due to urbanization and a lack of successors. Through interviews with artisans, the book reveals the intricate complexity of the craft and uncovers cultural resilience hidden in urban alleys—such as the "Bird Street" in Mong Kok’s Bird Garden, a living showcase of birdcage craftsmanship and avian trade, and a social hub for elderly bird enthusiasts. However, urban renewal and commercialization increasingly threaten such traditional spaces.
Facing these challenges, the author argues that cultural preservation requires "dynamic continuity": upholding the artisan spirit encapsulated in "a birdcage in hand" while reinterpreting the social significance of spaces like "Bird Street" to bridge generational divides and sustain this cultural lineage.
Language: Cantonese
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